Short Film
Il pennarello
Fabrizio is unable to explain his impotence (which occurs only with his girlfriend). One evening he stares in the mirror and, after some hesitation, shaves, sacrificing a thick and characteristic beard goatee, typical of those years. Here begins, with a simple gesture that we could define as 'unconventional', the transformation of Fabrizio. Immediately a vital impulse emerges in Fabrizio that leads him to 'want more' from a life enclosed in watertight compartments and protocol rules. The viewer is an accomplice and faithful travel companion in his process of metamorphosis, who is not asked for a judgment or an opinion, but a simple understanding and vision of history, as it is, without prejudice.
The field of Casilino
Pier Paolo Pasolini's voice introduces a monologue featuring Carlo, the poet's alter ego, set in a desert space with an almost lunar appearance: an expanse of sand under a starry sky. The man stages a sort of erotic liturgy bordering on self-destructive anxiety: he will offer himself to twenty hustler street boys, before a spectacular sunset, which recalls the strong colors of Sirk or Kazan melodramas, puts an end to the whole affair.