A young man decides to tell his best friend that he is in love with him.

Luke longs for a meaningful connection, but the man he has fallen for torments him with acts of impulsive intimacy and spontaneous selfish thoughtlessness.

An experimental and humorous rainy day romp involving director Wakefield Poole's beloved Warhol Marilyns, his boyfriend Peter Fisk, Julia Child and the kitchen sink (literally and figuratively). The film creates whimsy by incorporating household film footage, pop culture references from TV, and Poole's eclectic and sometimes campy use of music.

Shot in the Fire Island Pines during the same summer Poole filmed the first segment of his debut feature film "Boys in the Sand," this short was made in collaboration with the director's close friend and visual artist Ed Parente. The film serves as a visual love letter to Parente's boyfriend Fred, who was often away while the two spent time filming on the island.

A man struggling with his sexuality crosses paths with a student working on a time travel device which takes him to AN alternate universe and leads to his seduction.

Through Zipeng’s eyes, Purple Light strives to tell a story about how one’s existence is bigger than their sexuality, and that no form of love should bear a label. Purple light is inspired by a true account.

The Fair theater in Jackson Heights, Queens is one of the oldest continually running gay establishments in New York City. A loyal patron of the Fair tells the history of this gay porno theater and how it has managed to stay open while all the other gay porno theaters in New York City shut down. The narrator recalls the sexual encounters he had there over the last 35 years.

A portrait for the condition of a gay teenager, rejected by family and relying on friends.

Short film shot by Todd Verow and later edited into Frisk.

Giorgio Sandrini, a seventeen year old Sardinian guest of his Venetian aunts, and is employed as an apprentice in Murano.
He becomes involved in a series of misadventures and ends up in a re-education centre for minors. But there he is educated only in violence ...

From childhood to adulthood, brothers Bilal and Nassim support each other no matter what.

The Stud spends his nights hustling neon-lit streets. He gets picked up by a john with a fetish for branding and begins to realize it's not just another night on the town. When the john invites him to join a cult, the Stud must decide to go back to the street or start a new life in leather.